Tag Archives: Spain

Jorge Pardo – Huellas (2012)

Jorge Pardo - Huellas (2012)

Jorge Pardo is a flautist and saxophonist from Madrid, Spain. His two streams are flamenco and jazz, and he has worked with flamenco legend Paco de Lucia and jazz auteur Chick Corea.

Huellas is a double album of flamenco-infused jazz, performed with around 50 additional musicians, and I have to say, I enjoyed it very much. There are 18 original pieces, and a number of things make this album stand out to my ears. Firstly, the flute and the marimba, two great instruments which are not utilised all that often in jazz, masterfully played on this album and add a real sense of excitement to the overall sound; next, the guitar; mostly played in a style familiar to Iberian jazz, incorporating elements of flamenco and adding the Latin vibe of the album; along with the flamenco stylings of the guitar is the use of palmas, rhythmic clapping derived from flamenco. Together, these raise Huellas above other jazz albums. The fact that they are integral to the music and not part of an artificial fusion, where the flamenco has been tacked on, but instead is a natural addition, is another reason to hold this album in high esteem.

Pardo’s flute and sax skills are extraordinary and Huellas is an album of high talent, well worth the listen.

Favourite tracks: Saluncar – Mojacar, Cora Cora, Y Tu Tambien

Spotify link: Jorge Pardo – Huellas
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Ogun Afrobeat – The Observer (2012)

Ogun Afrobeat - The Observer (2012)

Ogun Afrobeat are a Madrid-based afrobeat band built around the rhythms of Nigerian, Akin Dimeji Onas.

It would a challenge to write a review of an afrobeat album without mentioning the legendary Fela Kuti and Ogun Afrobeat present an album here with original tracks and Kuti covers (namely Colonial Mentality, Eko Ile and Monday Morning in Lagos). But, I would hasten to say that they are much more than a Fela Kuti clone, Ogun Afrobeat go further and really carve out a funky niche for themselves; at times sounding like Magma, other times Fishbone.

Overall, this is a great slab of funky and exciting afrobeat, and lives up to expectations, covers are treated reverently whilst still having an Ogun Afrobeat stamp on them, and originals are innovative and fun. Funky beats, blazing organs and fantastic horns throughout, all with a crisp clean sound.

Favourite tracks: The Observer, Salitre, Eko Ile,

Bandcamp link: http://ogunafrobeat.bandcamp.com/
Spotify link: Ogun Afrobeat – The Observer
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Sinouj - Were (2012)

Sinouj describe themselves as Afromediterranean; I could tell you that one member comes from Tunisia, another from Spain, etc. but to do so would also do a disservice to the culturally blended sound that they strive to and succeed in achieving.

Part of Sinouj’s charm is a core of late 50s, early 60s style Jazz/bebop, which has been expanded to incorporate more modern technology (for example, hints of electronics at the start of title track Were and on Haka Aka), the juxtaposition of alto sax against Asian violins to give a truly global feel, incorporation of Arab–African rhythms and middle-eastern melodies, and even funk on tracks like Mahgreb Cosmos.

This is a really lovely album, especially for fans of Jazz, who might be a bit put off by the experimental blasts of bands such as Led Bib, Polar bear, and their ilk. The whole is unique, but evokes Coltrane at his most melodic on tracks such as Wech, has a cover of the classic Mulatu Astatke track, Yerkemo Sew, which drew my attention to the album in the first place.

That they chose to cover Ethiopian Jazz legend, Astatke, I think, gives some indication to the sound that you will hear from Sinouj. And boy do they treat it extremely well!

Somehow Sinouj have just got everything just right; the balance is perfect. Were, at the same time, sounds modern and classic, global and homely, unique and comfortably recognisable.

Favourite tracks: Haka Aka, Wech, Mahgreb Cosmos

Spotify link: Sinouj – Were
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